Wolfgang Stoerchle, ZIP #3 + #4 | MACRO Museum

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DISPATCH N° 17

01:59:59

Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension.

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MACRO — Museum of Contemporary Art of Rome

2020 – 2024

WOLFGANG STOERCHLE
ZIP #3 + #4
1968

#Images #Arrhythmics

Ahead of artist Wolfgang Stoerchle inaugurating the museum’s ARRHYTHMICS section this spring, editor and curator Alice Dusapin shares her WANTED brief of two works by the artist which are missing as of yet. The below for the first time published images are the sole proof of their existence.

1-2

Zip #3, 1968, cast bronze, 3.77 × 18.89 × 1.96 in (35 x 48 x 5 cm)

2-2

Zip #4 (The Leg), 1968, cast bronze, h. 20.86 in. (53 cm)

Zip #3 and Zip #4 are both early bronze pieces made by Wolfgang Stoerchle in 1968 and exhibited for his bachelor degree show at the Contemporary Art Foundation in Oklahoma City. Those photographs come from a film discovered in Karen Couch Wieder’s archive in Norman, Oklahoma in October 2017 and have been developed for the first time in the following days. While being a fantastic disclosure they are particularly precious because those sculptures remain to be found.

Courtesy Karen Couch Wieder Collection.

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DISPATCH N° 17

In this new Dispatch episode we trace the events commemorated since 10 February 2004, analyzing the complex story that led to the establishment of the Giorno del Ricordo, which is becoming more and more the focus of a distorted narrative.

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1. Alessandro Barbero, La verità sulle Foibe, 2021

2. Lorenzo Filipaz, Foibe o Esodo? «Frequently Asked Questions» per il Giorno del Ricordo, pubblicato su wumingfoundation.com, 2015.

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1. Pascal Quignard, BUTE, 2008

2. Marius Schneider, La musica primitiva, 1960

3. Elisa Biagini, Filamenti, 2020

4. Diana Lola Posani, La cascata e la gioiosa permeabilità, 2022, originally published in English by The Journal of the Sonic Art Research Unit (Oxford Brookes University)

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In this episode:

1. We are witnessing a crime against humanity, article by Arundhati Roy, The Guardian, 28 April 2021.

2. Tropical Parula, Indaiatuba, São Paulo, Brazil

3. Self Portrait, poem by David Whyte.

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6. Antico Adagio, music by Lino Capra Vaccina

DISPATCH N° 14

This new Dispatch episode has been realized by sound artist and performer Ramona Ponzini, whose vinyl Trees are Columns with Clouds on Top (2019) is on display in the show Autoritratto come Salvo.

This Dispatch is dedicated entirely to Salvo.

In this episode:

1. Franco Battiato, Di passaggio, from L’imboscata, PolyGram, 1996

2. Salvo, 40 nomi, Gravestone, 47,24 x 18,11 in, Private collection, 1971

3. Salvo, Io sono Salvo, in Salvo – Sette incisioni e sette poesie, Marco Noire edition, 1983

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For this new episode of Dispatch, I invited Giulia Crispiani, one of the artists on show in my RETROFUTURE section, to curate a special episode. Drawing inspiration from the city of Rome, its sounds and an imagined rain that features as a sort of MacGuffin in her writing. Here, she reads Monsone perpetuo, which could be called a prelude to Il Futuro è finito ieri, the work which you can find in my physical space.

In this episode:

Giulia Crispiani reads Monsone Perpetuo, 2018

Sound by Federico Antonini

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In this episode:

1. Roger Callois, The Writing of Stones

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4. Steve Reich, Come Out (Nicolas Jaar Remix)

5. Alfredo Jaar, The Eyes of Gutete Emerita

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In this episode:

1. Marguerite Duras, an excerpt from da Scrivere

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3. Wyslawa Szymborska, Possibilities

4. Laurie Anderson, Language is a virus, 1986

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This new episode of Dispatch comes out on the occasion of the #Giornatadelcontemporaneo organized by AMACI — Association of Italian Contemporary Art Museums.

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In this episode:

1. Intro

2. Nicola Pecoraro, Respire L’infinir, 2020 (excerpt)

3. Interlude 1

4. Edited posts from the electronic music forum on www.gearslutz.com

5. Interlude 2

6. Introduction chapter from The Last Man, by Mary W. Shelley, 1826 (part 1)

7. Interlude 3

8. Introduction chapter from The Last Man, by Mary W. Shelley, 1826 (part 2)

DISPATCH N° 9

In this episode:

1. Randy Kennedy, Language as Sculpture, Words as Clay on New York Times

2. Leonard Cohen, First of all, from The Book of Longing

3. Brown Thornbill, Ambleside, Devonport, Tasmania, Australia

4. Etel Adnan, taken from The cost for love we are not willing to pay

5. John Cage, In love with another sound

6. Press Release Lo Savio, la Galleria D’arte Selecta, Rome, 1960

DISPATCH n° 8

This podcast was made during Pauline Julier’s residency at the Swiss Institute of Rome, in occasion of the evening Event Horizon — Là où commence le ciel conceived with Filipa Ramos (September 2002).

Sources are, by order of appearance:

1. Anne Carson, Lecture on the History of Skywritings, © The Louisiana Channel, Louisiana

Museum of Modern Art, 2019

2. Forensic Architecture, Cloud Studies, 2020

3. Quinn Latimer, Dear Drone, Letter in response to Pauline’s video, 2020

4. Vinciane Despret in conversation with Filipa Ramos, 2020

5. Michelangelo Antonioni, Au-delà des nuages in Rien que des mensonges, 1991

6. Helmut Völter, The Movement of Clouds Around Mount Fuji, Photographed and Filmed by

Masanao Abe, 2016

Produced by the Swiss Institute of Rome, in collaboration with MACRO, Rome.

DISPATCH n° 7

In this episode:

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3. Spotless Starling, Toledo, Castilla-La Mancha, Spain

4. Emanuele Coccia, extract from Astrologia del Futuro, Flash Art

5. 99chants, chant#1: DAVID AUGUST — DCXXXIX A.C.

6. Press release of the exhibition Under the Sun, by Lawrence Weiner, in 2009 at Espai d’Art Contemporani Castelló

DISPATCH N° 6

In this episode:

1. Jörg Heiser, Artists in Quarantine, public intellectuals, and the trouble with empty heroics

2. Eurasian Wren, Hakone, Kanagawa Prefecture, Japan

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5. Amiri Baraka, Who Will Survive America?

DISPATCH N° 5

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3. Patrizia Vicinelli, febbraio 1962

4. Wolfgang Tillmans, On My Own, 2018

5. Press release of the exhibition Visual and Non-Visual Art Expression in 1940 at The Museum of Modern Art

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DISPATCH N° 4

In this episode:

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2. Laughing Falcon, Sendero Ojo de Agua, Guanacaste, Costa Rica

3. James Lee Byars, Text of The Hundred One Page Stone Books

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5. Press release announcing the Robert Morris exhibition at the Tate Gallery, scheduled 28 April — 6 June 1971

DISPATCH N° 3

In this episode:

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4. Sabbie Vergini, Albergo Intergallatico Spaziale

5. Press Release of the seminal exhibition Information, which took place at the MoMA in 1970

DISPATCH N° 1

In this episode:

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4. Aphex Twin, Tha2 (world scam mix)

5. Paul Preciado, The loser conspiracy, from Artforum

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Contact
Maddalena Bonicelli
T +39 335 6857707
m.bonicelli@museomacro.it
press@museomacro.it

Contact
Maddalena Bonicelli
T +39 335 6857707
m.bonicelli@museomacro.it
press@museomacro.it

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